Ir al contenido principal

Adam Hughes / artista / ilustración comics





Adam Hughes is most commonly known for his stylized renderings of women; super heroines, damsels in distress, figures in fantasy. About the time Adam began making waves in art circles and his artwork really began to be noticed, the term "Good Girl Art" had been coined, and it best describes exactly what Adam does. He is considered by many to be one of a new generation of Good Girl artists inspired by Petty, Vargas and Elvgren. When describing his own work, Adam has used the term "naturalistic" as opposed to the term "realsitic" ; which describes what he does perfectly.





Adam began working in comics at the age of 19, in 1985. In 1988 Adam lent his talents to a comic book called MAZE AGENCY; a book which many consider to be his first real artistic "run" on a title. He did over a year on the book; of both interior and cover artwork. In 1989 Adam began working on his first "mainstream" comic book title: DC Comic's JUSTICE LEAGUE. He worked on the book for almost 2 years, doing covers and interiors until 1990, then switching to supplying artwork for just the covers. Eight years later, Adam began what many see as his most acclaimed cover work. Adam's recognizably strong and elegantly drawn women have graced the covers of four years worth of DC Comics WONDER WOMAN title.

Comentarios

Entradas populares de este blog

referencias 2021

 

GRITA / Tocada para violín fugaz / julio2008

tocada para violín fugaz. En una cena familiar, una tía que cursa una mestría en una universidad privada de aquí de Monterrey, fue la primera que me expuso el caso del violinista en el metro . Ella y el resto de sus compañeros de clase entraron en una discusión con su maestro. Él dijo que pensaba que el arte era para unos pocos, y el resto del grupo incluida mi tía pensaban lo contrario. Para respaldar su teoría el maestro expuso el caso de un reciente 'experimento' realizado en estados unidos donde pusieron a tocar a uno de los mejores violinistas, y nadie se detuvo a escucharlo probando así que la humanidad a tocado fondo. No recuerdo bien que respondí, cuando me preguntaba que opinaba del caso. El maestro debió de haberse referido al arte en particular, dije, a ese de catálogos, de museos, subastas y ferias de arte, y no se referia a las artes en general. No es que defendiera al maestro desconocido para mi, o que pensara como él que el arte no es para todos. Pero si el maes...